![]() ![]() With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. In 1959, after working with trumpeter Chet Baker, bandleader Stan Kenton, vibraphonist Cal Tjader, and clarinetist Benny Goodman, LaFaro returned east and joined Bill Evans, who had recently left the Miles Davis Sextet. For much of 1958, LaFaro was with pianist/vibraphonist Victor Feldman's band. Fellow bassist Red Mitchell taught him how to pluck strings with both the index and middle fingers independently. He practiced from sheet music for the higher-pitched clarinet to improve his facility with the upper register for bass. LaFaro spent most of his days practicing his instrument. He left that organization to work in Los Angeles. He played in groups at the College Spa and Joe's Restaurant on State Street in downtown Ithaca.īeginning in 1955, he was a member of the Buddy Morrow big band. ![]() After three months at Ithaca College, he concentrated on bass. He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. Early life īorn in Newark, New Jersey, United States, the son of a big band musician, LaFaro was five when his family moved to Geneva, New York. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine's top 100 bass players of all time. ![]() LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries. Rocco Scott LaFaro (Ap– July 6, 1961) was an American jazz double bassist known for his work with the Bill Evans Trio. ![]()
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